There is this trick I used to do when I would fly to Carleton. Back in the day, airlines actually used to show movies on flights that lasted a few hours. Getting between Seattle and Minneapolis half a dozen times a year meant a decent amount of traveling between 1987 and 1992. More often than not, I was bored to tears on these flights. Sometimes I'd fall asleep, but even that usually only lasted until takeoff. I enjoyed the rush into the air, buildings and trees and lakes and mountains all dwindling below, banking gently to either stare at the sky or the ground, depending on which window seat I had. I probably could have read a book, or done crosswords, or listened to tapes. Still wouldn't get me through the two to three hours between Minnesota and Washington State, though.
So they had movies. Movies came with headphones. Headphones cost money. I didn't necessarily pinch any pennies during college, but I never seemed to think it was worth spending $5 for a pair of cheap foam throwaway headphones just to watch an edited-for-airline travel movie (maybe if I had been pinching my pennies, I would have had five bucks to spare). And this was well before the headphones for my Walkman would have fit the connection in the arm rest.
The trick, then, was this: carefully rip out any page from one of the in-flight magazines. Glossy paper always worked best. Using the tray table as a firm surface, carefully (carefully) roll the paper into a very tight cone. It must be precise. You've got to keep the corner tight, or else you won't be able to jam it into the headphone jack. Crank up the volume. Insert cone. Keep a hand on it (and an eye out for the flight attendants) because you never know if they're gonna get pissed at you for "stealing" sound for the movie. It doesn't make for the best speaker, but it's free, and movies tend to make a lot more sense when you can actually follow the dialogue.
All of which sets the stage for the unexpectedly cool gift I'd received from Emma just before takeoff.
"Here," she said, handing me a pair of airline headphones, still hermetically sealed in clear plastic.
I started to protest. I didn't even have any clean clothes -- wearing ratty red sweats and a certainly very stinky Pendle College tee-shirt -- let alone a spare five bucks or so for the headphones. Hell, I wasn't even sure where my wallet was at this point. Somewhere in one of mom's bags, probably.
Emma smiled. "Please," she said. "It's on us. You can just have it. It's a small thing, really."
Outstanding. Little things really do make a difference, and this was such a stark contrast from how I usually experienced in-flight movies. I couldn't wait to find out what movie they'd be playing as we flew west across the Atlantic. Besides, after everything else that had happened up to this point, it was nice (really nice) to get a free movie out of the deal.
The movie turned out to be the critically acclaimed 1989 hit, The Bear. It's a moving tale of an orphaned bear cub that features almost no dialogue. One of only very few mainstream movies over the past ten or twenty years that relied so little on voices to tell a story. That you can understand what the bears are thinking -- without relying on voice-overs or onscreen text or other filmmaking tricks -- is actually a testament to the quality of the movie. If you turn down the sound completely (or watch it without airline headphones), you'd miss out on the score, and some conversations between the hunters, but you'd still be able to easily follow along.
In other words, everybody on that flight was able to watch and understand my free movie.
Not that I'm still bitter about it or anything.


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